Materials
Material declarations are similar to shader files from Quake3, but they are a lot more powerful. Materials have a lot of power, especially when combined with scripts and GL programs. Material declarations are stored in .mtr files.
For a simple overview of how to create a new material, see this tutorial.
For comprehensive reference, read below.
Contents
Materials
Every material declaration has a global section, followed by one or more stages. The global section, as the name implies, sets properties that affect all the stages. In Quake3 the stages were pretty easy to understand because the engine rendered them in order: stage 1, then stage 2, then stage 3, etc.. In ETQW the order is not quite as simple because of the way the lighting system works, but for the most part, they are still rendered in order.
Let's look at a simple material:
material textures/alphalabs/a_lfwall21b { diffusemap textures/alphalabs/a_lfwall21b.tga bumpmap textures/base_wall/lfwall21_local.tga specularmap textures/alphalabs/a_lfwall21b_s.tga }
The first line is the name of the material. Notice the use of the material keyword. This is required for all material declarations, unlike Doom3.
The global section is started by the open curly brace, {, followed by these sections which reference .tga textures.
- diffusemap defines the diffuse map (overall colour).
- bumpmap defines the local normal map (angle and bumpiness).
- specularmap defines the specular map (shininess).
This is about as basic of a material as you can get, while still using advanced lighting features.
For the absolute basic material, technically all you need is a diffusemap, in which case the bump map is "flat" and the specular map is black. Creating an entire map with that type of material will look roughly like Quake 3.
By default, the diffusemap is the texture that will be displayed in editWorld. If for some reason you want a different texture to show up in EditWorld, you can specify an image using qer_editorimage followed by the relative path to a .tga file.
This material looks like it doesn't have any "stages", but in fact it has 3. The bumpmap, diffusemap and specularmap keywords are simply shortcuts for stages, as explained below.
Shaders in Materials
ETQW has the ability to use custom GL vertex and fragment programs when rendering a stage of a material. This is mostly seen in the 'heat haze' effects around fire, in the warping effects on glass, and in the warping effects on various projectiles (like the BFG). For documentation on how to write your own renderprograms programs, see the separate Render program documentation
There is nothing stopping an artist from writing those, but I would really let a programmer handle writing the renderprogram. The main thing an artist or level designer needs to know is how to use the renderprogram in their materials. This is the material file for the hornet smoke which uses one of the heathaze effects. Using other renderprograms works in a similar way:
material particles/penta/hornetheathaze { noshadows translucent nonsolid { program heatHazeWithVertex deformScroll 0, 0 deformMagnitude 1 bumpMap textures/particles/smoke/smokenormal.tga maskAlpha } }
There is a single stage in this material. It uses a special program, this means it will not render like any other material but that it will use that program to do some special effect. It also means that certain parameters are read by the engine. So the heatHazeWithVertex causes the engine to render the stage as a heat-haze surface, it also looks at the values of deformScroll and deformMagnitude to define the specific strength of the heat-haze effect (how much warping is going on). The engine automatically knows at which parameters to read when you use a certain program, so while you can set these parameters on any material only programs that actually use them will care about their value. Also note how the texture is specified using the bumpMap [bleh] command, although you use the bumpmap command here it won't render like any other bumpmapped surface since the "program heatHazeWithVertex" told the engine to do special rendering for this surface.
The list of new "commands" that are available when you use a certain program is not fixed, so every new program may define new variables you can set. Most programs tend to use the default values like "map", "bumpMap", "diffuseMap", ... so most of the time you don't need to know about any special variables to use the program.
Tables
In Quake3, you could do all kinds of neat things with sine waves, saw tooth waves, square waves and other types of waves, but you were pretty much screwed if you wanted any kind of non standard wave form. In Doom 3, you can define arbitrary data lookup tables, then reference them in your materials. The format of a table definiton is:
table <tablename> { [snap] [clamp] { , , ... } }
Where [snap] is an optional key word which means "jump directly from one value to the other (don't blend between values)" and [clamp] is an optional key word which means "don't wrap around if the index is outside the range of table elements, (return the first value if less or the last value if it's more)". Both keywords are optional, and can be used together. Now, armed with this knowledge, we can easily construct a square wave lookup table:
table squarewave { snap { 0, 1 } }
The sine table is a bit harder, but lucky for us, it's already defined materials/shaderdemo.mtr!
Maths and Logic
Materials in ETQW can contain mathematical and logical expressions. These expressions are evaluated for each material every frame, and are what cause normally boring surfaces to come alive. This is a replacement for the rather limited shader commands in Quake 3 such as tcMod scroll, rgbGen, etc. Let's take a look at a material to see these features in use:
material models/weapons/soulcube/soulcube3fx { noSelfShadow translucent noShadows { if ( parm7 > 3 ) blend add map models/weapons/soulcube/soulcube3fx rgb scTable[ time * .5 ] } }
In ETQW, certain stages of the material can be selectively turned on and off. The 'if' command in this example means "only draw this material if parm7 is greater than 3." There are a few places where parm7 can get set, one of them is in the editor with the 'shaderParm0' to 'shaderParm11' keys. Another place is in the script file (such as with weapons). Of course, it can also get set in the code.
Notice the use of a lookup table in this material. Here we are using 'time' (which is a floating point number that increases forever) to look up a value in 'scTable' (which was defined using a 'table' decl earlier).
The mathematical operators you can use in a material are %, /, *, -, and +. You can also use the boolean operators <, >, <=, >=, ==, !=, &&, and ||. The meaning of the symbols is the same as in C/C++, Java, PHP, etc. Mathematical expressions should be enclosed in parenthesis (there are cases where they don't have to be, such as when they are used as an index to a lookup table, but it never hurts to have too many. For the operands, you can use a lookup table, any numerical constant, and any of the following variables:
time: Forever increasing floating point value that returns the current time in seconds parm0-parm11: Parameters that can be set a number of ways (discussed above) global0-global7: Not used right now fragmentPrograms: Constant that is 1 if ARB fragment programs are available. This is mostly used for disabling a stage by specifying "if ( fragmentPrograms == 1 )" sound: The current sound amplitude of the entity using this material. This is used to create light materials that pulse with the sound.
New backend
The new backend slightly changes the way how shaders work, altough internally the system is very different we tried to keep external changes as small as possible. The next few topics are mainly "copy pastable" cases.
Alphatested surfaces
Unlike Doom 3, bump/specular/diffuse maps are not treated as separate material stages anymore, so instead of having three stages with one map each you now have one stage with the three maps specified at once. This makes for less stages and a generally more intuitive way of creating materials. The biggest change because of this is the alpha testing. While you specified the bump and specular stages like normal stages and specified added the alphatest on the diffuse stage before, now you need one stage with has diffuse+bump+specular maps with alpha testing enabled. An alpha tested stage now looks like this:
material textures/alphademo { { diffusemap textures/decals/fgrill2_d.tga specularmap textures/decals/fgrill2_s.tga bumpmap textures/decals/fgrill_local.tga alphaTest 0.5 } }
Clamped textures
Clamping was specified in the shader/stage body before, this is not very logical as it is actually an image parameter. Therefore clamping now has to be specified before image names.
material textures/clampdemo { { blend add map clamp textures/decals/blast.tga } }
Animated texture coordinates
Since bump/normal/specular are now part of a single stage (see alphatest information above) the texture matrices can't be specified per stage anymore, therefore there is a new "texturematrix" command you can use to specify the texture matrix of a specific texture.
material textures/matrixdemo { { bumpmap textures/base_wall/wire_fence2_local.tga specularmap textures/base_wall/a_wire_fence2_s.tga diffusemap textures/base_wall/a_wire_fence2_d.tga
alphaTest 0.5 textureMatrix bumpMatrix { translate 2, 2 } textureMatrix specularMatrix { translate 4, 4 } textureMatrix diffuseMatrix { translate 2, 2 } }
You can still use the old texture matrix system, but this means it will only affect the diffuse map and NOT the specular/normal map. If you are writing a non bumpmapped material you should also use the old way of specifying texture matrices.
Reference
This is a reference of all material keywords and parameters.
Parameters Key
These are all the parameters which can be passed to material functions and values.
<float> | Any number. |
<int> | An integer - any number without a fractional part. |
<string> | Any value enclosed in quotes. |
<index> | An integer number that is an index into an array. |
<map> | An image map, which may include image programs (below). |
<prog> | A vertex / frament program. Written using the GL ARB shader language. These files are stored in the glprogs directory. |
<exp> | An expression that is evaluated every frame. |
Global Keywords for Regular Materials
qer_editorimage <map> | Image to display in the editor |
description <string> | Just a simple description for people using this material |
polygonOffset | [float] offset the depth buffer to combat z-fighting |
noShadows | Don't cast shadows |
noSelfShadow | This material doesn't cast shadows on the model it's on (but it does on other models) |
forceShadows | Allows nodraw surfaces to cast shadows |
noOverlays | Overlay / Decal suppression |
forceOverlays | Force decal overlays for alpha tested or translucent surfaces |
translucent | The engine thinks this is a translucent material (which means no ambient/zfill pass will be done for this material) |
forceOpaque | Opposite forces the engine to think this is a nontranslucent material. |
twoSided | Draw the front and back. Implies no-shadows, because the shadow volume would be coplanar with the surface, giving depth fighting. |
backSided | Draw only the back. This also implies no-shadows. |
mirror | Use to make mirrors |
noFog | Don't fog this surface |
guisurf <guifile>
guisurf entity[2|3] |
This surface has a gui on it. Use "somegui.gui" to specify the gui, or entity, entity2, entity3, etc for the level designer to set it in Radiant. |
sort <type> | Type is one of: subview, opaque, decal, far, medium, close, almostNearest, nearest, postProcess |
spectrum <int> | Spectrums are used for "invisible writing" that can only be illuminated by a light of matching spectrum |
deform <type> | Type is one of: sprite, tube, flare, expand, move, turbulent, eyeBall, particle, particle2 |
decalInfo <staySeconds>
<fadeSeconds> [start rgb] [end rgb] |
Used in decal materials to set how long the decal stays, and how it fades out. |
renderbump <args...> | RenderBump command options, without "renderbump" at the start |
diffusemap <map> | shortcut for
{ blend diffusemap map <map> } |
specularmap <map> | shortcut for
{ blend specularmap map <map> } |
bumpmap <map> | shortcut for
{ blend bumpmap map <map> } |
DECAL_MACRO | shortcut for
polygonOffset 1 discrete sort decal noShadows |
Global Keywords for Light Materials
noShadows | This light doesn't cast shadows. |
forceShadows | fog, blend, and ambient lights don't cast shadows by default. This forces them to cast shadows. |
noPortalFog | This fog volume won't ever consider a portal fogged out. |
fogLight | Option to fill with fog from viewer instead of light from center. |
blendLight | Perform simple blending of the projection, instead of interacting with bumps and textures. |
ambientLight | An ambient light has non-directional bump mapping and no specular. |
lightFalloffImage <map> | specifies the image to use for the third axis of projected light volumes. |
Global Surface Parameters
surfacetype "<stp>" | Sets a surface type for particles and sound effects, where <stp> is one of the valid surface types. |
solid | may need to override a clearSolid |
water | used for water |
playerclip | solid to players |
monsterclip | solid to monsters |
moveableclip | solid to moveable entities |
ikclip | solid to IK |
blood | used to detect blood decals |
trigger | used for triggers |
aassolid | solid for AAS |
aasobstacle | used to compile an obstacle into AAS that can be enabled/disabled |
flashlight_trigger | used for triggers that are activated by the flashlight |
nonsolid | clears the solid flag |
nullNormal | renderbump will draw as 0x80 0x80 0x80, which won't collect light from any angle |
areaportal | divides areas |
qer_nocarve | don't cut brushes in editor |
discrete | surfaces should not be automatically merged together or clipped to the world, because they represent discrete objects like gui shaders mirrors, or autosprites |
noFragment | dmap won't cut surface at each bsp boundary |
collision | collision surface. if a model has no collision surfaces, then all surfaces are considered collision surfaces |
noimpact | don't make impact explosions or marks |
nodamage | no falling damage when hitting |
ladder | player can climb up this surface |
nosteps | No footstep sounds. |
Stage Keywords
blend <type> blend <src>, <dst>
Blend types: Type Src Dst
blend gl_src_alpha gl_one_minus_src_alpha add gl_one gl_one filter gl_dst_color gl_zero modulate gl_dst_color gl_zero none gl_zero gl_one bumpmap Normal map diffusemap Diffuse map specularmap Specular map
Source blend modes: gl_one Constant 1
gl_zero Constant 0 gl_dst_color The color currently on the screen gl_one_minus_dst_color One minus the color currently on the screen gl_src_alpha The alpha channel of the source image gl_one_minus_src_alpha One minus the alpha channel of the source image gl_dst_alpha The alpha channel of the screen image gl_one_minus_dst_alpha One minus the alpha channel of the screen image gl_src_alpha_saturate Minimum of the source alpha and one minus screen alpha
Destination blend modes: gl_one Constant 1
gl_zero Constant 0 gl_src_color The color of the source image gl_one_minus_src_color One minus the color of the source image gl_src_alpha The alpha channel of the source image gl_one_minus_src_alpha One minus the alpha channel of the source image gl_dst_alpha The alpha channel of the screen image gl_one_minus_dst_alpha One minus the alpha channel of the screen image
map <map> | The image program to use for this stage. |
remoteRenderMap <int> <int> | Width and Height of the buffer to render a remote image in to (for cameras). The entity this material is applied to has to support remote render views. |
mirrorRenderMap <int> <int> | Width and Height of the buffer to render a mirror in to. This of course makes this stage a mirror stage, which is different from using the 'mirror' global keyword because that makes the entire material a mirror, rather than just one stage. |
videomap [loop] <file> | This stage uses a video stream as an image map. |
soundmap [waveform] | This stage uses a sound meter from the sound system as an image map. Specify 'waveform' to get a scope rather than bars. |
cubeMap <map> | This stage uses a cube map as the image map. Looks for _px, _py, _pz, _nx, _ny, _nz for the positive x, y, z, and negative x, y, z sides. |
cameraCubeMap <map> | This stage uses a cube map in camera space. Looks for _forward, _back, _left, _right, _up, and _down. |
ignoreAlphaTest | Always use DEPTHFUNC_LEQUAL rather than DEPTHFUNC_EQUAL which is normally used for opaque and alpha tested surfaces. |
nearest | Use nearest texture filtering. |
linear | Use linear texture filtering. |
clamp | Same as the global keywords. Use to override a global clamp for a specific stage. |
zeroclamp | |
alphazeroclamp | |
noclamp | Use to set texture repeat for a stage when global clamp is set. |
uncompressed | Do not compress this image in medium quality mode. |
highquality | |
forceHighQuality | Do not compress this image in low quality mode. |
nopicmip | Ignore the image_downSize cvar. |
vertexColor | Multiply the pixel color by the vertex color. |
inverseVertexColor | Multiply the pixel color by one minus the vertex color. |
privatePolygonOffset <float> | Explicit larger (or negative) polygon offset for this stage. |
texGen <type> | Type is one of: normal, reflect, skybox, wobbleSky <exp> <exp> <exp>. |
scroll <exp>, <exp> | Scroll the texture coordinates. |
translate <exp>, <exp> | |
scale <exp>, <exp> | Just scales without a centering. |
centerScale <exp>, <exp> | Subtracts 0.5, then scales, then adds 0.5. |
shear <exp>, <exp> | Subtracts 0.5, then shears, then adds 0.5. |
rotate <exp> | Subtracts 0.5, then rotates, then adds 0.5. |
maskRed | Don't write to the red channel. |
maskGreen | Don't write to the blue channel. |
maskBlue | Don't write to the green channel. |
maskAlpha | Don't write to the alpha channel. |
maskColor | Shortcut for
maskRed maskGreen maskBlue |
maskDepth | Don't write to the depth buffer. |
alphaTest <exp> | Only write if the alpha value is greater than <exp>. |
red <exp> | Set the red vertex color. |
green <exp> | Set the green vertex color. |
blue <exp> | Set the blue vertex color. |
alpha <exp> | Set the alpha vertex value. |
rgb <exp> | Shortcut for
red <exp> green <exp> blue <exp> |
rgba <exp> | Shortcut for
red <exp> green <exp> blue <exp> alpha <exp> |
color <exp0>, <exp1>, <exp2>, <exp3> | Shortcut for
red exp0 green exp1 blue exp2 alpha exp3 |
colored | Shortcut for
color parm0, parm1, parm2, parm3 |
if <exp> | Conditionally disable stages. |
fragmentProgram <prog> | Use an ARB fragment program with this stage. |
vertexProgram <prog> | Use an ARB vertex program with this stage. |
program <prog> | Shortcut for
fragmentProgram <prog> vertexProgram <prog> |
vertexParm <index> <exp0> [,exp1] [,exp2] [,exp3] | Values to pass to the vertex program. One expression gets repeated across all 4 values. Two expressions put 0, 1 in z, w. Three expressions put 1 in w. |
fragmentMap <index> [options] <map> | The image map to use for texture unit <index>. [options] can be cubeMap, cameraCubeMap, nearest, linear, clamp, noclamp, zeroclamp, alphazeroclamp, forceHighQuality, uncompressed, highquality, or nopicmip. |
megaTexture <mega> | This stage uses a MegaTexture. |
Image Program Functions
These can be used anywhere that accepts <map>, and can be nested.
heightmap(<map>, <float>) | Turns a grayscale height map into a normal map. <float> determines how "deep" the bump map appears. |
addnormals(<map>, <map>) | Adds two normal maps together. Result is normalized. |
smoothnormals(<map>) | Does a box filter on the normal map, and normalizes the result. |
add(<map>, <map>) | Adds two images without normalizing the result. |
scale(<map>, <float> [,float] [,float] [,float]) | Scales the RGBA by the specified factors. Defaults to 0. |
invertAlpha(<map>) | Inverts the alpha channel (0 becomes 1, 1 becomes 0). |
invertColor(<map>) | Inverts the R, G, and B channels. |
makeIntensity(<map>) | Copies the red channel to the G, B, and A channels. |
makeAlpha(<map>) | Sets the alpha channel to an average of the RGB channels. Sets the RGB channels to white. |